Virgin of Guadalupe with Four Apparitions (Virgen de Guadalupe con las Cuatro Apariciones), mid-18th century
Oil on copper foil, embossed silver applications, h. 17 ½ in. (44 cm); w. 23 ¼ in. (59 cm); d. 2 in. (5 cm)
Fundación Cultural Daniel Liebsohn, A.C. Mexico City.
Photography by Francisco Kochen
February 17–May 13, 2018
Cowden and Golden Galleries
Three hundred years ago the city of San Antonio was founded as a strategic outpost of presidios defending the colonial interests of northern New Spain and missions advancing Christian conversion. The city’s missions bear architectural witness to the time of their founding, but few have walked these sites without wondering who once lived there, what they saw, valued, and thought.
San Antonio 1718: Art from Viceregal Mexico tells the story of the city’s first century through more than one hundred landscapes, portraits, narrative paintings, sculptures, and devotional and decorative objects, many of them never before exhibited in the United States. The exhibition is organized in three sections: People and Places, The Cycle of Life, and The Church.
San Antonio 1718 includes portraits of political and economic power, Spanish viceroys and military leaders who helped shape the destiny of the city. It explores the intrepid Franciscan missionaries who spearheaded the evangelization of the region, including Fray Antonio Margil de Jésus, known as the “Patron Saint of Texas,” and the religious figures who anchored their teachings such as the Virgin of the Immaculate Conception and her American manifestation, the Virgin of Guadalupe.
Many works are more personal: portraits of poised young women whose marriages will solidify status, aspirational paintings of young families at home, nuns depicted at the threshold of their vows or at their death, intimate miniatures of lovers and soldiers, post-mortem portraits of infants. Throughout, the works invoke the lineage and authority of mainland Spain, while revealing the lives and times of San Antonio’s earliest inhabitants.
Celebrating the city’s deep Hispanic roots and cultural ties with Mexico, San Antonio 1718 features works by New Spain’s most talented eighteenth-century artists, including Cristόbal de Villalpando (1649-1714), Miguel Cabrera (1695-1768), and José de Páez (1720-1790), as well as pieces by talented unknown vernacular artists.
The exhibition was generously funded by Bexar County, the William and Salomé Scanlan Foundation, Patsy Steves, Myfe White Moore, and Alianza de las Artes Americanas, a Denver Art Museum Support Group. Support for the San Antonio 1718 catalogue was provided by the Russell Hill Rogers Fund for the Arts. This exhibition is supported by the City of San Antonio’s Department of Arts & Culture.
This exhibition is presented in collaboration with Mexico’s Instituto Nacional de Antropología e Historia (INAH).
José de Páez (New Spain, 1720 – 1790), Mexican Castes (Castas mexicanas), (15 total), ca. 1780, “1. De Español, e India, produce mestizo”, 18th century, Oil on canvas; 36 x 41 in. (91 x 104.5 cm), Private Collection. Photography by Minerva Morales.
Tuesday, Friday: 10 a.m.–9 p.m.
Saturday and Sunday: 10 a.m.–5 p.m.
About the photo on our homepage: gnacio María Barreda
New Spain, late 18th century
María Manuela Esquivel y Serruto, 1794
Oil on canvas, h. 29 in. (81 cm); w. 37 in. (61 cm)
Museo Nacional de Historia, 10-233550, Secretaría de Cultura, INAH, MX. Mexico City.
Photography by Francisco Kochen